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View Photo Credit
Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's
Madama Butterfly
. Photo by Elise Bakketun.
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RESULTS
PRODUCTION & COMPANY INFORMATION
Lyric Opera of Chicago
The Ghosts of Versailles
Composer:
John
Corigliano
Librettist:
Hoffman, William
Director(s):
Debra
Brown
Choreographer
Colin
Graham
Director
Conductor(s):
Arthur
Fagen
Conductor
Leonard
Slatkin
Music Director
Designer(s):
Duane
Schuler
Lighting Designer
John
Conklin
Costume Designer
John
Conklin
Scenic Designer
Stan
Dufford
Hair/Wigs
Stan
Dufford
Make-up
Comments:
Fight Director
B.H. Barry
Sound Designer
Matthias Gohl
Diction Coach
Gillian Lane-Plescia
Opening Date:
Saturday, October 14, 1995
Venue &
Performance Dates:
Ardis Krainik Theatre
Oct. 14,17,20,25,29,31
Nov. 3,6
Ardis Krainik Theatre
November 3,6
Cast Information:
Beaumarchais
Håkan Hagegård
Cherubino
Charlotte Hellekant
Count Almaviva
Dwayne Croft
Count Almaviva
Richard Drews
Florestine
Sunny Joy Langton
Leon
Gary Lehman
Louis XVI
James Courtney
Marie Antoinette
Sheri Greenawald
Marquis
Ronald Naldi
Pasha
Stefan Szkafarowsky
Rosina
Sylvia McNair
Samira
Della Jones
Susanna
Wendy White
Wilhelm
Wilbur Pauley
Woman with Hat
Jane Shaulis
Company Information
Lyric Opera of Chicago
Address:
20 N. Wacker Drive, Chicago IL 60606 United States
Web site:
www.lyricopera.org
Phone:
312-332-2244
Fax:
312-419-8345
Mission Statement/Description:
"We believe in the life-changing, transformational, revelatory power of great art and opera. Lyric Opera of Chicago exists to provide a broad, deep, and relevant cultural service to the Chicago region and the nation, and to advance the development of the art form of opera by:
Producing and performing consistently thrilling, world-class opera, with a balanced repertoire that encompasses core classics, lesser-known masterpieces, and new works.
Creating a diverse, innovative, wide-ranging program of community engagement and education activities that reaches the widest possible public.
Developing exceptional emerging operatic talent.
"
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