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OPERA America’s Online Learning
What is it?
OPERA America’s multimedia online courses offer an opportunity to explore the many dimensions of opera – literature, music, visual art – as well as learn more about the artists who make a night at the opera truly unforgettable. The four-week courses cover topics such as the world of the composer, the opera’s source materials and music analysis. An interactive bulletin board feature allows discussion between participants and the instructor.
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Who is it for?
Online Learning is for opera lovers and those who wish to learn more about the art form. Courses are available to the general public for $10 each, and OPERA America members receive all courses for free as a benefit of membership. Members also have access to an archive of past Online Learning courses. For information about membership – which starts as low as $75 – please contact PGosselin@operaamerica.org or use the membership link to the right.

2008-2009 Season
(Non-members: Click the checkboxes for the courses you wish to register - Members are already registered and need do nothing.)
La traviata
(August 15 – September 12, 2008)
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Verdi’s La traviata is based on the novel La Dame aux Camélias by Alexander Dumas, fils. The opera, considered controversial at the time of its premiere for its contemporary setting, is one of the most produced operas of all time.
Madama Butterfly
(September 16 – October 7, 2008)
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David Belasco’s Madame Butterfly: A Tragedy of Japan was innovative in his use of light in storytelling, particularly during the geisha’s vigil as she awaits the return of her American husband. When Puccini saw the play, he was inspired by the story and the stagecraft.
Le Nozze di Figaro (The Marriage of Figaro)
(February 17 – March 17, 2009)
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This opera, based on a play by Beaumarchais, depicts a single “crazy day” in the life of an aristocratic household. A tumble of events, including comedy, intrigue and class warfare gives way to one of the most touching reconciliation scenes in all opera.
Brief Encounter
(April 1 – April 29, 2009)
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André Previn, an award-winning conductor and pianist, made his mark in opera with A Streetcar Named Desire in 1998. In 2009, Houston Grand Opera will premiere Previn’s newest work, Brief Encounter, based on the play Still Life and the screenplay to the 1945 film Brief Encounter, both by Noël Coward.
(Music for La Traviata, Madama Butterfly and Le Nozze di Figaro provided by Allegro Corporation.)

Thank You
We gratefully acknowledge support for OPERA America’s Online Learning Program from:

The Andrew W. Mellon Foundation
National Endowment for the Arts
Target

For more information about Online Learning, e-mail OPERA America at Education@operaamerica.org.

About Your Instructor
Denise Gallo is a specialist in nineteenth-century Italian opera. Formerly an Assistant Professor and Co-Director of the Music History Division at The Catholic University of America, she holds a doctorate in Historical Musicology. Active in arts education, she is a frequent lecturer for Washington Opera, the Baltimore Opera Company, Washington Concert Opera, the Smithsonian Associates, and Summer Opera Theatre Company. In 2006, she was a featured lecturer for the Metropolitan Opera Education Series. An active scholar, she presents her research at national and international musicological conferences. Her book, Opera: The Basics, was published in 2006 by Routledge. Other publications include a book on Rossini and a chapter on the libretto of Verdi’s Falstaff for The Verdi Sourcebook (Toccata Press). She is also preparing the volume of banda music for the Critical Edition of the Works of Gioachino Rossini, to be published by Bärenreiter Press in 2008 and is at work on a book entitled Walt Whitman and Music: “I and my recitatives.” Gallo is one of the senior music specialists at the Library of Congress, and has previously instructed an OPERA America Online Learning course on Rossini’s La Cenerentola.
About Your Instructor
Andrew Eggert is a freelance opera director based in New York City. In the 2008-2009 season, he will direct new productions of La Tragédie de Carmen at Chicago Opera Theater, Il ritorno d’Ulisse in patria at Princeton University, and scenes from Cavalli operas for the Yale Baroque Opera Project. At Glimmerglass Opera, he has worked as assistant director of several new productions and as staff stage director of the Young American Artists Program. He has been a regular guest director at the Chicago College of the Performing Arts and recently staged several Mozart duets for the Apprentice Scenes Program at Santa Fe Opera. Eggert is a graduate of Yale University, where he studied English with an emphasis on dramatic literature and is currently pursuing graduate work in the Music Department of Columbia University.
About Your Instructor
Scott Eyerly is a composer and teacher living in New York, where his Juilliard course “Desert Island Opera” has proven a popular introduction to the genre. Eyerly is also a frequent lecturer at Mahaiwe Theater in Great Barrington, Massachusetts where he introduces the Met HD broadcasts. The world premiere of his opera The House of the Seven Gables was produced by Manhattan School of Music and is now available on an Albany double CD. Eyerly’s other works include commissions from the National Endowment for the Arts, Glimmerglass Opera, Chamber Music America, Cape May (NJ) Music Festival, the New York Youth Symphony and Philip Morris Companies Inc. In May 2009, St. Thomas Church Fifth Avenue will give the premiere of his choral and organ work Spires, a celebration of churches and sacred spaces.
About Your Instructor
Thomas May is the author of the guide to Wagner and his works, Decoding Wagner, An Invitation to His World of Music Drama (2004), and The John Adams Reader: Essential Writings on an American Composer (2006), both published by Amadeus Press. He is a former Fulbright scholar and contributes to programs for leading opera companies and symphonies around the country. May also lectures and contributes to Opera Now, crosscut.com, and many other arts publications, and has previously instructed an OPERA America Online Learning course on John Adams’s Nixon in China. Before settling in Seattle, May was a freelance critic for The Washington Post.
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UPCOMING EVENTS >>






CALENDAR >>
January, 2009
27
Making Connections
Public Speaking
Public speaking is a craft that is invaluable to all professionals. This session will address:
January, 2009
28
Making Connections
Maintaining Your Health amid a Hectic Schedule
For most opera artists, staying in good health is crucial to staying employable. Yet travel, stress and interaction with others can make keeping the sniffles away challenging. This panel will share tips on:
View Full Calendar


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