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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
National Opera Center
Administrator/Trustee Resources & Archives
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About the Archives
OPERA America’s comprehensive Archive, containing hundreds of articles, podcasts and videos, is a rich resource of information for artists, company staff and opera patrons alike.

The Archive contains articles from 1999 to the present, covering topics like fundraising, health, marketing, new works, performance skills, mentoring and finance, written by OPERA America staff and outside industry experts.

Podcasts and videos in the Archive provide invaluable access to OPERA America events such as the Annual Conference and Making Connections.

Full access to the Archive content is available only to OPERA America members. If you are not a member, please view the membership page to learn more.
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From the Archives Popular Administrative/Trustee Resources
Contributed Income Over 20-Year Period
Larry Bomback, Director of Finance & Operations, OPERA America
OPERA America’s 20-year Professional Opera Company U.S. Constant Sample Group reported a 412% rise in total contributed income from 1988 to 2008. This amounts to annualized growth in contributions of approximately 9% each year. Not surprisingly, by 2008, the lion’s share of contributions was the result of gifts from the opera-going public. Indeed, 62% of all contributions in 2008 came from individual donors; 20 years ago, this figure was 40%.
Advocacy & Public Policy Update
About OPERA America's Advocacy Efforts Latest News & Alerts
OPERA America represents the interests of the opera community before Congress, the White House and federal agencies. As a founding member of the Performing Arts Alliance, OPERA America works with the performing arts field to advocate for the development of national policies that recognize and strengthen the contributions that the arts make to America.

For more information on OPERA America’s advocacy activities, please contact OPERA America’s Government Affairs Office at 202-375-7523.
#Opera in 140 characters
Friday, April 18, 2014
Latest Video & Audio Additions
Visa Processing for Foreign Guest Artists
Jonathan Ginsburg and Andi Floyd, FTM Arts Law
Fundraising for Independent Artists
Dianne Debicella, program director, fiscal sponsorship, Fractured Atlas; Eve Gigliotti, mezzo-soprano; Anne Ricci, general managing diva, Opera on Tap
Taxing Foreign Artists
Robyn Guilliams, FTM Arts Law attorney, Larry Bomback, Director of Finance, OPERA America, Amy Fitterer, Director of Government Affairs, OPERA America
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Current Headlines
Metropolitan Opera Considers Mediation in Contract Talks
By Jennifer MaloneyThe Wall Street JournalWednesday, July 30, 2014
The Metropolitan Opera has proposed bringing in a mediator to facilitate talks with two of its unions, a move that labor experts said could delay a lockout that management has threatened for Friday.
Labor Struggles at Metropolitan Opera Have a Past
By Michael CooperThe New York TimesWednesday, July 30, 2014
Now, after three relatively quiet decades, the Met is on the brink of its worst labor crisis in years: Peter Gelb, the Met’s general manager, is threatening to lock out the company’s orchestra, chorus, stage crews and other workers on Friday, endangering the coming opera season, if they do not agree to new contracts with cuts to their pay and benefits. The contracts for 15 unions at the Met expire on Thursday night.
L.A. County Supervisor Zev Yaroslavsky exiting as a champion of arts
By Mark SwedLA TimesTuesday, July 29, 2014
The five-term supervisor, who will leave office at the end of year because of term limits, has been singularly fearless among U.S. politicians as an arts advocate.
Artbound Wins L.A. Area Emmy for "Invisible Cities" Documentary
By StaffKCET.orgTuesday, July 29, 2014
On Saturday July 26, KCET's Artbound was awarded an L.A.-Area Emmy Award for Entertainment Programming for the documentary Invisible Cities: An Opera for Headphones, a one-hour special episode tracing the creation and performance of The Industry's avant-garde opera Invisible Cities.
Seattle Opera's Jenkins Looks Back At His Legacy, Including Making 'Colorblind’ Opera
By Florangela DavilaKPLUMonday, July 28, 2014
Speight Jenkins is stepping down as general director of Seattle Opera after 31 years. And among the things he’s most proud of are the productions of two successful Ring cycles, surviving the economic recession by not resorting to just producing popular operas and advancing the opportunities for African-American men.
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Summer 2014 Magazine Issue
  • Summer Apprenticeships
  • Opera Tours for Board Members
  • My First Opera by Speight Jenkins
Contact Us
330 Seventh Avenue, New York, NY 10001
P 212-796-8620 • F 212-796-8621
Info@operaamerica.orgDirections
From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
(not including tip).
  • JFK - Take the AirTrain ($5 - approx. 15 minutes) to the Jamaica Street Station and transfer to the Long Island Railroad (LIRR). Take the LIRR to Penn Station ($12 - approx. 35 minutes). See Penn Station directions below.
  • LaGuardia - Take the M60 Bus to the Hoyt Ave/31st Street. Get on the or Train and take that to 42nd/Times Square Station. Follow the Times Square Station directions below.
  • Newark - Take the New Jersey Transit train to Penn Station ($15 - approx. 45 min). See the Penn Station Directions below.

From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
the right hand side.

From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
MTA Web site.