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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
National Opera Week 2014
Administrator/Trustee Resources & Archives
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About the Archives
OPERA America’s comprehensive Archive, containing hundreds of articles, podcasts and videos, is a rich resource of information for artists, company staff and opera patrons alike.

The Archive contains articles from 1999 to the present, covering topics like fundraising, health, marketing, new works, performance skills, mentoring and finance, written by OPERA America staff and outside industry experts.

Podcasts and videos in the Archive provide invaluable access to OPERA America events such as the Annual Conference and Making Connections.

Full access to the Archive content is available only to OPERA America members. If you are not a member, please view the membership page to learn more.
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From the Archives Popular Administrative/Trustee Resources
Personnel Reflections
Larry Bomback, Director of Finance and Operations, OPERA America
In response to member requests for more data assessment, OPERA America has embarked on a series of brief analyses derived from the Professional Opera Survey that companies complete each year.

The Surveys reveal that while total budgets among a constant sample group of U.S. Companies rose by 47% since the start of the new millennium, expenses allocated to support staff responsible for revenue generation have increased even faster. Marketing personnel costs have risen 82% since FY2000, and development personnel costs have risen 70% over that same time. (Looking at only the percentage gains does not tell the whole story, since technical and production personnel costs increase in one year the amount that marketing personnel costs rise over a decade.)
Advocacy & Public Policy Update
About OPERA America's Advocacy Efforts Latest News & Alerts
OPERA America represents the interests of the opera community before Congress, the White House and federal agencies. As a founding member of the Performing Arts Alliance, OPERA America works with the performing arts field to advocate for the development of national policies that recognize and strengthen the contributions that the arts make to America.

For more information on OPERA America’s advocacy activities, please contact OPERA America’s Government Affairs Office at 202-375-7523.
#Opera in 140 characters
Friday, April 18, 2014
Latest Video & Audio Additions
Visa Processing for Foreign Guest Artists
Jonathan Ginsburg and Andi Floyd, FTM Arts Law
Fundraising for Independent Artists
Dianne Debicella, program director, fiscal sponsorship, Fractured Atlas; Eve Gigliotti, mezzo-soprano; Anne Ricci, general managing diva, Opera on Tap
Taxing Foreign Artists
Robyn Guilliams, FTM Arts Law attorney, Larry Bomback, Director of Finance, OPERA America, Amy Fitterer, Director of Government Affairs, OPERA America
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Current Headlines
Opera Star Joyce DiDonato Will Sing National Anthem at Game 7
By Karen CrouseThe New York TimesWednesday, October 29, 2014
The Royals starter Jeremy Guthrie was not the only person with Kansas City ties who spent Tuesday fervently hoping for the opportunity to perform on Wednesday at a World Series Game 7. The opera singer Joyce DiDonato, who grew up in Kansas City as an avid baseball fan, got the call from Major League Baseball to sing the national anthem for the game, should it be necessary.
Florida Grand Opera comes to Hialeah
By Marisol MedinaMiami HeraldTuesday, October 28, 2014
The visit is part of Opera Lab, a Florida Grand Opera program that visits South Florida high schools throughout the school year to show students how opera can relate to their classes, how they can learn about backstage careers and how to appreciate the centuries-old art form.
Sarasota Opera caters to connoisseurs and opera-phobes
By Marty ClearBradenton HeraldTuesday, October 28, 2014
If you're not an opera fan, your image of the art form is probably shaped by the stereotypes from TV sitcoms or movies. People in tuxedoes sitting in balcony boxes. A large woman in a Viking helmet and pigtails over-emoting as she sings foreign words with an annoying voice. Men who have been forced to attend by their wives falling asleep as the opera stretches into it sixth hour. Or maybe you've just heard opera on the radio and you think it's unintelligible. Those perceptions are wrong.
Opera Southwest premieres long-forgotten Hamlet opera
By StaffAlbuquerque JournalTuesday, October 28, 2014
For Artistic Director Anthony Barrese this was a labor of passion, perhaps obsession. But labor certainly and nonetheless a formidable task. The fruits of his painstaking work at long last came to fruition on Sunday at the National Hispanic Cultural Center when Opera Southwest gave the stunning premiere of the long lost and forgotten “Amleto” (Hamlet) by Franco Faccio. The opera had been performed only once before, the 1865 premiere given by an ailing tenor badly received, causing Faccio to withdraw the work and never compose again.
Portland Opera makes dramatic move to summer seasons beginning in 2016: 'We want to avoid death by 1,000 paper cuts'
By David StablerThe OregonianTuesday, October 28, 2014
Portland Opera is planning to undergo the biggest change in its 50-year history. Beginning in 2016, the company will perform its entire season in a compressed, 12-week summer period.
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Fall 2014 Magazine Issue
  • Are Women Different?
  • Preparing for Klinghoffer
  • Emerging Artists: Act One


Contact Us
330 Seventh Avenue, New York, NY 10001
P 212-796-8620 • F 212-796-8621
Info@operaamerica.orgDirections
From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
(not including tip).
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  • LaGuardia - Take the M60 Bus to the Hoyt Ave/31st Street. Get on the or Train and take that to 42nd/Times Square Station. Follow the Times Square Station directions below.
  • Newark - Take the New Jersey Transit train to Penn Station ($15 - approx. 45 min). See the Penn Station Directions below.

From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
the right hand side.

From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
MTA Web site.