Search the Archive
Search Field:
Search Term:
Media Type:

Top 10 Related Articles by Date Published
Article
Acting Resources for Singers
Marc Astafan, Amy Burton, Chuck Hudson, Jonah Nigh
read here click reason why husband cheat
i dreamed my wife cheated on me link infidelity signs
viagra switzerland online viagra soft information open
buy shimano viagra sti using viagra after a stroke tia viagra 36 hour
married affairs my wife cheated now what how to cheat on husband
married affairs my wife cheated now what how to cheat on husband
why wife cheat online do all women cheat
why wife cheat women that cheat with married men do all women cheat
women who cheated read here women affair
read looking for affair redirect
unfaithful wives women who cheat with married men My husband cheated on me
why women cheat husband cheated on me catch a cheat
how many women cheat on husbands signs of a cheater how many people cheat
where can you get abortion pill cytotec abortion pill buy online click
cytotec abortion abortion statistics go
otc abortion pill read here how to order the abortion pill online

Making Connections1/4/2012

Editor's Note:
how to order the abortion pill online online purchase abortion pill abortion pill online
husband cheated on me go open
link link husband cheated on me
click here how to catch a cheater link
read here infidelity why women cheat
i dreamed my wife cheated on me link infidelity signs
i dreamed my wife cheated on me link infidelity signs
website online link
click walmart female viagra viagra without prescription new zealand
buy shimano viagra sti buy viagra online online href viagra 36 hour
how often can viagra be used generic nbsp nbsp nbsp viagra how can i enhance viagra
online how to cheat husband my wife cheated now what
looking for affair women cheat because my boyfriend cheated on me with my mom
cheat women go unfaithful husband
redirect why wife cheat dating for married
why wife cheat women that cheat with married men do all women cheat
women want men wife cheaters click here
unfaithful wives go read
how to catch a cheat click here
married affairs click why do men cheat on their wife
abortion pill pittsburgh how much do abortion pills cost what s the abortion pill


i need to buy the abortion pill abortion pill how to order the abortion pill online
cytotec abortion pill buy online abortion pill online purchase abortion pill
men who have affairs website why do men have affairs
link women looking to cheat husband cheated on me
why do husbands have affairs married cheat redirect
why do men cheat read click here
link buy viagra for less where to buy viagra in india
buy shimano viagra sti buy viagra free shipping viagra 36 hour
go open open
women cheat because reason why husband cheat percent of women that cheat
women cheat because why do women cheat on their husbands percent of women that cheat
click here women who want to cheat link
married affairs my wife cheated now what how to cheat on husband
why wife cheat why do women cheat do all women cheat
open why husband cheat redirect
cheats women who love to cheat my boyfriend cheated on me quotes
abortions pills abortion pill stories click
open link non surgical abortion


About the Author:

Stage director Marc Astafan made his official debut on New Year’s Eve 1996 as director and choreographer of The Magic Flute at Eugene Opera in Oregon. Since then, he has crisscrossed the U.S. directing productions from Florida to Alaska, Massachusetts to Nevada. He made his New York debut with Opera Orchestra of New York in 1999, again with The Magic Flute, on the site of the Egyptian Temple of Dendur at The Metropolitan Museum of Art. In 2000, Astafan joined the directing staff at the Metropolitan Opera as assistant director on 10 productions. In 2008, his production of Summer and Smoke was a feature of the Tennessee Williams Festival in Provincetown, MA. Career highlights include critically acclaimed productions of Tosca at Virginia Opera, Cendrillon and Rinaldo at Central City Opera, Romeo et Juliette at Syracuse Opera, La Cenerentola at Nevada Opera and La Calisto at New England Conservatory. Astafan is a longtime guest director for the Juilliard School and USC Thornton School of Music. He was recently named the new director and administrator of the Central City Opera Young Artist Program.

 

Praised by the New York Times for her “lustrous” soprano, Amy Burton is one of New York’s most notable singers, having sung in Rigoletto, L'elisir d'amore and Fidelio at the Metropolitan Opera. She has been featured in more than a dozen leading roles at New York City Opera, which awarded her the 2005 Diva Award, the 2003 Christopher Keene Award and the 2001 Kolosvar Award for distinction in unusual repertoire. Her diverse musical life, encompassing chamber music, recital and cabaret, as well as opera, has brought her to leading orchestras and opera companies throughout the U.S., Europe, Japan and Israel. Her recital and cabaret appearances with John Musto have included Lincoln Center’s Great Performer Series, the Kennedy Center, the 92nd Street Y, Caramoor, Joe’s Pub, Café Sabarsky at the Neue Galerie and the Liceu Opera house in Barcelona. Silver Medalist in the 1995 Marion Anderson Competition and a winner of major grants from the Gerda Lissner, George London and the Sullivan Foundations, Burton is a champion of new music. In 2006, she was the first recipient of the Opera America Artist Advocate Award for her work with Glimmerglass Opera. She has been on the voice faculty of Mannes College of Music since 2002 and Songfest in Malibu since 2007. A proud member of the New York Festival of Song Arts Council, Burton has recorded for Angel/EMI, Albany, Harbinger, Naxos, Bridge and CRI (newly released: Useful Knowledge, the music of Paul Moravec for Naxos). Upcoming engagements include Cole Porter’s La Revue des Ambassadeurs (Paris, May 2012) and recordings of American and French songs for Bridge Records and Harbinger Records. She lives in New York with her husband, composer-pianist John Musto, and their son, Joshua, a guitarist.

 

Based in New York City, Chuck Hudson has directed at Cape Town Opera (SA), Florida Grand Opera, Minnesota Opera, Sacramento Opera, Opera Cleveland, Seattle Opera and Wolf Trap Opera, among others. His Off-Broadway production of She Stoops to Conquer earned a Callaway Award by Actors Equity Association. His specialty in stage movement comes from being one of only three Americans to receive a diploma from the Marcel Marceau International School in Paris. He is the only American appointed to teach at that school, and he performed with Marceau on European Tours and in Klaus Kinski’s film Paganini. Hudson enjoys focusing his work on artists in training. He is co-creator of Seattle Opera’s Young Artist Program, and he has directed productions at San Francisco Opera’s Merola Program, AVA, USC, BU, CCM, IU and MSM. He draws on his experience as a performer, director and coach in his master classes at professional artist training programs for singers and actors.

 

Jonah Nigh joined the staff of Columbia University School of the Arts and Miller Theatre as a development officer in October 2010. He is responsible for managing a portfolio of major gift prospects as well as the Annual Fund campaigns for both the school and the theater. Nigh previously served as assistant director of development for OPERA America, artist representative for Elsie Management, program development associate for the Volunteer Lawyers for the Arts of Massachusetts and acting concert coordinator for the Museum of Fine Arts, Boston. He has also worked as a freelance grant writer for several nonprofit organizations. A former classical singer, Nigh earned his B.M. and M.M. in vocal performance from Lawrence University and New England Conservatory, and his operatic credits included engagements with the Aspen Music Festival, Boston Lyric Opera and Opera Boston, among other companies. Nigh has served as a guest moderator/panelist for the New York City Department of Cultural Affairs, Con Edison Musicians’ Residency Program and OPERA America.  

Stage director Marc Astafan made his official debut on New Year’s Eve 1996 as director and choreographer of The Magic Flute at Eugene Opera in Oregon. Since then, he has crisscrossed the U.S. directing productions from Florida to Alaska, Massachusetts to Nevada. He made his New York debut with Opera Orchestra of New York in 1999, again with The Magic Flute, on the site of the Egyptian Temple of Dendur at The Metropolitan Museum of Art. In 2000, Astafan joined the directing staff at the Metropolitan Opera as assistant director on 10 productions. In 2008, his production of Summer and Smoke was a feature of the Tennessee Williams Festival in Provincetown, MA. Career highlights include critically acclaimed productions of Tosca at Virginia Opera, Cendrillon and Rinaldo at Central City Opera, Romeo et Juliette at Syracuse Opera, La Cenerentola at Nevada Opera and La Calisto at New England Conservatory. Astafan is a longtime guest director for the Juilliard School and USC Thornton School of Music. He was recently named the new director and administrator of the Central City Opera Young Artist Program.

 

Praised by the New York Times for her “lustrous” soprano, Amy Burton is one of New York’s most notable singers, having sung in Rigoletto, L'elisir d'amore and Fidelio at the Metropolitan Opera. She has been featured in more than a dozen leading roles at New York City Opera, which awarded her the 2005 Diva Award, the 2003 Christopher Keene Award and the 2001 Kolosvar Award for distinction in unusual repertoire. Her diverse musical life, encompassing chamber music, recital and cabaret, as well as opera, has brought her to leading orchestras and opera companies throughout the U.S., Europe, Japan and Israel. Her recital and cabaret appearances with John Musto have included Lincoln Center’s Great Performer Series, the Kennedy Center, the 92nd Street Y, Caramoor, Joe’s Pub, Café Sabarsky at the Neue Galerie and the Liceu Opera house in Barcelona. Silver Medalist in the 1995 Marion Anderson Competition and a winner of major grants from the Gerda Lissner, George London and the Sullivan Foundations, Burton is a champion of new music. In 2006, she was the first recipient of the Opera America Artist Advocate Award for her work with Glimmerglass Opera. She has been on the voice faculty of Mannes College of Music since 2002 and Songfest in Malibu since 2007. A proud member of the New York Festival of Song Arts Council, Burton has recorded for Angel/EMI, Albany, Harbinger, Naxos, Bridge and CRI (newly released: Useful Knowledge, the music of Paul Moravec for Naxos). Upcoming engagements include Cole Porter’s La Revue des Ambassadeurs (Paris, May 2012) and recordings of American and French songs for Bridge Records and Harbinger Records. She lives in New York with her husband, composer-pianist John Musto, and their son, Joshua, a guitarist.

 

Based in New York City, Chuck Hudson has directed at Cape Town Opera (SA), Florida Grand Opera, Minnesota Opera, Sacramento Opera, Opera Cleveland, Seattle Opera and Wolf Trap Opera, among others. His Off-Broadway production of She Stoops to Conquer earned a Callaway Award by Actors Equity Association. His specialty in stage movement comes from being one of only three Americans to receive a diploma from the Marcel Marceau International School in Paris. He is the only American appointed to teach at that school, and he performed with Marceau on European Tours and in Klaus Kinski’s film Paganini. Hudson enjoys focusing his work on artists in training. He is co-creator of Seattle Opera’s Young Artist Program, and he has directed productions at San Francisco Opera’s Merola Program, AVA, USC, BU, CCM, IU and MSM. He draws on his experience as a performer, director and coach in his master classes at professional artist training programs for singers and actors.

 

Jonah Nigh joined the staff of Columbia University School of the Arts and Miller Theatre as a development officer in October 2010. He is responsible for managing a portfolio of major gift prospects as well as the Annual Fund campaigns for both the school and the theater. Nigh previously served as assistant director of development for OPERA America, artist representative for Elsie Management, program development associate for the Volunteer Lawyers for the Arts of Massachusetts and acting concert coordinator for the Museum of Fine Arts, Boston. He has also worked as a freelance grant writer for several nonprofit organizations. A former classical singer, Nigh earned his B.M. and M.M. in vocal performance from Lawrence University and New England Conservatory, and his operatic credits included engagements with the Aspen Music Festival, Boston Lyric Opera and Opera Boston, among other companies. Nigh has served as a guest moderator/panelist for the New York City Department of Cultural Affairs, Con Edison Musicians’ Residency Program and OPERA America.  

how to order the abortion pill online abortion pill abortion pill online
i need to buy the abortion pill redirect how to order the abortion pill online
read here go reason why husband cheat
go wife cheaters men who have affairs
read cheat on my wife why do men have affairs
i dreamed my wife cheated on me reasons women cheat infidelity signs
why women cheat with married men link when a husband cheats
my wife cheated redirect women cheat
unfaithful husbands how to cheat why do guys cheat
click viagra without viagra without prescription new zealand
how often can someone take viagra generic pack viagra online
women cheat because why do women cheat on their husbands percent of women that cheat
read here redirect click here
redirect why do women cheat on husbands cheat on your wife
married affairs go how to cheat on husband
unfaithful wives reason women cheat read
married and want to cheat how to cheat husband wives who cheat
go website reasons people cheat
abortion pill pittsburgh how much do abortion pills cost what s the abortion pill
misoprostol and mifepristone when can you use the abortion pill otc abortion pill
where can you get abortion pill read here click
THE ORGANIZATION WHAT IS OPERA? RESOURCES
ABOUT THE CENTER RENTAL SERVICES OA PROGRAMMING
BECOME A MEMBER SUPPORT OPERA AMERICA
RESOURCES
330 Seventh Avenue, New York, NY 10001
Tel: 212.796.8620 • Fax: 212.796.8621
Info@operaamerica.org • Directions

Privacy Policy • Returns Policy
© Copyright 1995-2014 OPERA America Inc.