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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
North American Works Directory Listing
Holy Ghosts
Larry Bell
Andrea Olmstead
http://www.HolyGhoststheopera.com
September 15, 2009
Casa Rustica Productions/Berklee College of Music
Southerner Coleman Shedman demands a divorce from his wife, Nancy, who he thinks has left him for a preacher. &mdash Coleman and Nancy each recollect the couple's last night together quite differently. It turns out Coleman is mistaken about Oby: Nancy has left him for Coleman's elderly father, Obediah Buckhorn. Reverend Buckhorn leads a group of desperate misfits whose worship includes singing four traditional hymns (in the first act) and a literal belief in an obscure verse from the Book of Mark. The act concludes with Coleman's horrified realization he is in the midst of a cult of Pentecostal snake handlers. In Act II, Coleman witnesses a series of religious-conversion testimonials. These worshippers include a woman dying of cancer; a suicidal, roughneck gay couple; a teenaged couple unprepared for sudden parenthood; a middle-aged woman defying her family to try to find meaning in her life; and a woman accused of killing her sister with poisonous snakes. As the testimonials become more intense and six other hymn tunes appear, the service climaxes with ecstatic handling of snakes. The only skeptic, Coleman is nevertheless moved to handle a serpent, and, in a blinding flash, finds salvation. Nancy, on the other hand, becomes disillusioned with Buckhorn and leaves the church. All the remaining parishioners embrace their renewed victory over death and celebrate the unchanging love of God.
Nancy Shedman(s); Coleman Shedman(t); Obediah Buckhorn, Jr.(bar); Orin Harti(bar); Howard Rudd(b-bar); Lorena Cosburg(mz); Mrs. Wall(mz/pianist); Muriel Boggs(s); Billy Boggs(bar/guitarist); Rev. Obediah Buckhorn, Sr.(b-bar); Bonnie Bridge(mz); Cancer Woman(mz)
Minimum, one soprano and three tenors. Maximum desirable ensemble members: 2 sopranos, 4 mezzos, 3 tenors, 5 high and low baritones = 14 ensemble members (12 of whom cover all 12 named roles.)
01:40
2
American verismo, tonal, rock music, hymn tunes. Sung throughout. Emphasis on ensemble singing.
Andrea Olmstead
617-262-1775
http://www.LarryBellmusic.com

Spring 2014 Magazine Issue
  • From Gold Rush to Google
  • Before, After and During Opera Conference 2014
  • OPERA America's New Works Forum Expands and Explores
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