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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
North American Works Directory Listing
A Quiet Place
Leonard Bernstein
Stephen Wadsworth
Stephen Wadsworth (Director)
John Mauceri (Conductor)
Chester Ludgin (Sam)
Timothy Nolen (Junior, Sam's son)
Sheri Greenwald (Dede, Sam's daughter)
Peter Kazaras (François, Junior's boyfriend, later Dede's husband)
Edward Crofts (Sam as a young man)
Diane Kesling (Dinah, Sam's wife)
http://www.boosey.com/pages/opera/moreDetails.asp?musicID=3304
June 17, 1983
Houston Grand Opera
Dede, Junior, François and friends gather at Dinah's funeral. Sam, Dinah’s widowed husband, is estranged from his family and stands isolated in a corner. During the funeral ceremony, Sam and Junior come to blows. The coffin lid is knocked shut with a crash; Junior, left alone, becomes aware of his disarray and tenderly runs his hand across his mother's coffin. At home later that evening, Sam is alone; reading Dinah’s old diaries evokes a memory of thirty years ago. The first half of Trouble in Tahiti is reenacted, as a flashback in Sam's mind. Sam’s reverie is interrupted when Dede comes shyly to visit him. Next door in Junior’s room, François confronts Junior with his behavior at the funeral parlor. Father and daughter embrace; Junior collapses in François' arms. Dede and François meet in the hallway, where François breaks down, overcome by the strain of the day. Sam finds a trophy on a shelf, which reawakens his memory, and the final scenes from Tahiti are enacted. The next morning, Dede and Junior play games remembered from childhood. François joins them, and then Sam appears, deciding to welcome François into the family. Sam reads aloud from Dinah’s diary, and in another emotional disagreement Junior hurls Dinah's diary into the air. With the pages of Dinah's diary scattered about on the ground, they recognize one by one that they can learn to communicate and reach out to one another.
Dede (s)
François (t)
Junior (bar)
Old Sam (b-bar)
Dinah (mz)
Young Sam (bar)
Funeral Director (t)
Bill (bar)
Susie (mz)
Analyst (t)
Doc (b)
Mrs. Doc (mz)
Jazz Trio (s or s, h-T, h-Bar)
New York Times, Donal Henahan, 6/20/1983; New York Times, Bernard Holland, 7/24/1984; The Opera Quarterly, 1989 6(3): 162-165; The Washington Post, Joseph McLellan, 3/20/1988;
The revised version was first performed at La Scala and Washington Opera in 1984.
02:30
3
Yes (in pit)
3(II=afl,III=picc).2.corA.3(III=Ebcl).bcl.2.dbn-4.3.3.1- timp.perc(3-4):chimes/glsp/xyl/marimba/SD/2TD/BD/traps/hi-hat/ 3susp.cym/large susp.cym/cyms/finger cyms/bongo dr/2tom-t/tam-t/tamb/ 4pitched dr/2tgl//2wdbl/5tpl.bl/wind chimes/steel pipe/rasp/2sandpape r blocks-elec.bass-pft(=synth)-harp-strings
Poetic, Romantic; subjects - Contemporary, Relationships, Society
Boosey & Hawkes
229 W 28th Street, Floor 11
New York, NY 10001
composers.us@boosey.com
212-358-5300
www.leonardbernstein.com/
www.boosey.com/pages/opera/moreDetails.asp?musicID=3304
Schedule of Performances Listings
A Quiet Place (Bernstein)
Wednesday, October 27, 2010 - New York City Opera

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