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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
North American Works Directory Listing
Practice in the Art of Elocution
Jack Beeson
Jack Beeson
May 12, 1999
Mark Peloquin
This ‘operina’ - a word created by Beeson to describe this opera of smaller dimensions meant for the concert stage - takes place in a rehearsal studio with a soprano and her accompanist in the early 1900s. Inspiration and some of the libretto comes from a book entitled The Standard American Speaker and Entertainer by Mrs. Frances P. Hoyle-Pogle written in 1901 – a book which discusses the art of elocution at length and refers to the writings of Francois Delsarte, a Parisian who coached some of the finest singers and actors of an earlier generation. As the action begins, the soprano does various Delsartian warm-up exercises as the pianist does busywork. A discussion of various problems presented by verbal, tragic and comic projection develops and they (pretend to) sight-read musical examples otherwise known as Beeson’s Four Forbidden Songs. Using outrageous poetry of the same time period, the songs are titled as such for their rather bizarre subject matter of sickness, cigarettes and tickling.
The Soprano (s) The Soprano's Accompanist
Boosey & Hawkes
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New York, NY 10001

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