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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
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Administrator/Trustee Resources & Archives
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About the Archives
OPERA America’s comprehensive Archive, containing hundreds of articles, podcasts and videos, is a rich resource of information for artists, company staff and opera patrons alike.

The Archive contains articles from 1999 to the present, covering topics like fundraising, health, marketing, new works, performance skills, mentoring and finance, written by OPERA America staff and outside industry experts.

Podcasts and videos in the Archive provide invaluable access to OPERA America events such as the Annual Conference and Making Connections.

Full access to the Archive content is available only to OPERA America members. If you are not a member, please view the membership page to learn more.
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From the Archives Popular Administrative/Trustee Resources
Hiring a Consultant
Patricia C. Compton
Trustees bring a wealth of professional expertise to the board's collective effort. For example, financial, legal and marketing skills contribute to the effective functioning of any opera company. Sometimes, however, issues arise that call for fresh thinking and/or new strategies.

Is this the time to consider hiring a consultant?
Advocacy & Public Policy Update
About OPERA America's Advocacy Efforts Latest News & Alerts
OPERA America represents the interests of the opera community before Congress, the White House and federal agencies. As a founding member of the Performing Arts Alliance, OPERA America works with the performing arts field to advocate for the development of national policies that recognize and strengthen the contributions that the arts make to America.

For more information on OPERA America’s advocacy activities, please contact OPERA America’s Government Affairs Office at 202-375-7523.
#Opera in 140 characters
Friday, April 18, 2014
Latest Video & Audio Additions
Visa Processing for Foreign Guest Artists
Jonathan Ginsburg and Andi Floyd, FTM Arts Law
Fundraising for Independent Artists
Dianne Debicella, program director, fiscal sponsorship, Fractured Atlas; Eve Gigliotti, mezzo-soprano; Anne Ricci, general managing diva, Opera on Tap
Taxing Foreign Artists
Robyn Guilliams, FTM Arts Law attorney, Larry Bomback, Director of Finance, OPERA America, Amy Fitterer, Director of Government Affairs, OPERA America
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Current Headlines
‘Noli Me Tangere’ Filipino opera will tell moving tale at Kennedy Center
By Celia WrenThe Washington PostFriday, August 01, 2014
The title may translate as “Touch Me Not,” but a team of intrepid producers haven’t hesitated to tackle Noli Me Tangere, which has been called the first full-length Filipino opera composed in the Western operatic tradition. On Aug. 8 and 9, the Kennedy Center’s Eisenhower Theater will host two performances of Noli Me Tangere, a tale of love, intrigue and nationalism set in the Philippines during Spanish colonial rule. 
Zambello’s Glimmerglass festival: strong parts looking for a greater whole
By Anne MidgetteThe Washington PostFriday, August 01, 2014
Zambello is, of course, the artistic director of the Washington National Opera. But since 2010 — a year before she became WNO’s artistic adviser and two years before assuming her current role — she has been the artistic and general director of Glimmerglass, and she has put her stamp on this once-struggling festival more than she has yet been able to do in Washington.
Met Opera, unions extend contract talks
By Anne MidgetteThe Washington PostFriday, August 01, 2014
This is the most heartening progress yet in a negotiation period that has been conducted, throughout the summer, in the public eye. With blog posts, calls to the media, and a steady stream of press releases, both the unions and the Met have done their best to steer the discussion.
In Final Hours, Metropolitan Opera Extends Contract Deadlines for Unions
By Michael CooperThe New York TimesFriday, August 01, 2014
The Metropolitan Opera postponed a threatened lockout late on Thursday night, saying that it had done so at the request of a federal mediator who was brought in at the 11th hour to try to salvage its contract negotiations with the unions representing its orchestra and chorus.
Metropolitan Opera Considers Mediation in Contract Talks
By Jennifer MaloneyThe Wall Street JournalWednesday, July 30, 2014
The Metropolitan Opera has proposed bringing in a mediator to facilitate talks with two of its unions, a move that labor experts said could delay a lockout that management has threatened for Friday.
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Summer 2014 Magazine Issue
  • Summer Apprenticeships
  • Opera Tours for Board Members
  • My First Opera by Speight Jenkins
Contact Us
330 Seventh Avenue, New York, NY 10001
P 212-796-8620 • F 212-796-8621
Info@operaamerica.orgDirections
From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
(not including tip).
  • JFK - Take the AirTrain ($5 - approx. 15 minutes) to the Jamaica Street Station and transfer to the Long Island Railroad (LIRR). Take the LIRR to Penn Station ($12 - approx. 35 minutes). See Penn Station directions below.
  • LaGuardia - Take the M60 Bus to the Hoyt Ave/31st Street. Get on the or Train and take that to 42nd/Times Square Station. Follow the Times Square Station directions below.
  • Newark - Take the New Jersey Transit train to Penn Station ($15 - approx. 45 min). See the Penn Station Directions below.

From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
the right hand side.

From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
MTA Web site.