Username:
Password:


Forgot your password?
View Photo Credit  
Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
Songbook
Administrator/Trustee Resources & Archives
?
About the Archives
OPERA America’s comprehensive Archive, containing hundreds of articles, podcasts and videos, is a rich resource of information for artists, company staff and opera patrons alike.

The Archive contains articles from 1999 to the present, covering topics like fundraising, health, marketing, new works, performance skills, mentoring and finance, written by OPERA America staff and outside industry experts.

Podcasts and videos in the Archive provide invaluable access to OPERA America events such as the Annual Conference and Making Connections.

Full access to the Archive content is available only to OPERA America members. If you are not a member, please view the membership page to learn more.
Search the Archives
Search Term Media Type
From the Archives Popular Administrative/Trustee Resources
Letting the Lion Roar — Words of Wisdom on Developing and Maintaining the Dramatic Voice
Roger Pines, Dramaturg, Lyric Opera of Chicago
Singers with dramatic voices — those who will someday sing heavy Verdi and Wagner roles — present a special challenge for both academic and professional training programs. At meetings of OPERA America's Singer Training Forum, challenges related to the nurturing of these rare artists are a frequent topic of conversation.
Advocacy & Public Policy Update
About OPERA America's Advocacy Efforts Latest News & Alerts
OPERA America represents the interests of the opera community before Congress, the White House and federal agencies. As a founding member of the Performing Arts Alliance, OPERA America works with the performing arts field to advocate for the development of national policies that recognize and strengthen the contributions that the arts make to America.

For more information on OPERA America’s advocacy activities, please contact OPERA America’s Government Affairs Office at 202-375-7523.
#Opera in 140 characters
Friday, April 18, 2014
Latest Video & Audio Additions
Visa Processing for Foreign Guest Artists
Jonathan Ginsburg and Andi Floyd, FTM Arts Law
Fundraising for Independent Artists
Dianne Debicella, program director, fiscal sponsorship, Fractured Atlas; Eve Gigliotti, mezzo-soprano; Anne Ricci, general managing diva, Opera on Tap
Taxing Foreign Artists
Robyn Guilliams, FTM Arts Law attorney, Larry Bomback, Director of Finance, OPERA America, Amy Fitterer, Director of Government Affairs, OPERA America
Desktop PCM Directory
The desktop directory application is available for download to all PCM members.
You must be logged in to download the directory.
Current Headlines
Apocalypse Later
By Terry TeachoutThe Wall Street JournalFriday, August 29, 2014
Instead of locking out the Metropolitan Opera's musicians and stagehands, Peter Gelb, the company's general manager, agreed to a still-to-be-ratified settlement with their labor unions that will allow America's biggest opera company to open its 2014-15 season on schedule.
For a Bronx composer, opera rises out of identity struggles
By Maya RajamaniThe Riverdale PressThursday, August 28, 2014
Laura Kaminsky's first opera, 'As One,' will premiere at the Brooklyn Academy of Music on Thursday, Sept. 4. It is a collaboration between Ms. Kaminsky, who wrote the music for string quartet and developed the concept, and Kimberly Reed and Mark Campbell, who wrote the libretto.
AFM President Blasts NFL Super Bowl Halftime Kickback Scheme
By Antoinette FollettAmerican Federation of MusiciansWednesday, August 27, 2014
In what could be deemed the most colossal pay to play scheme ever, the National Football League (NFL) has reportedly asked potential Super Bowl halftime performers if they would be willing to pay the league to play at its big game.
Oh, Susannah: San Francisco Opera Opens Its Golden Gate
By Jeff KalissSan Francisco Classical VoiceWednesday, August 27, 2014
The Sept. 6 company premiere of Susannah serves as a long-awaited reunion of San Francisco Opera’s general director, David Gockley, and the opera’s composer and librettist, Carlisle Floyd.
St. Petersburg Composer's Opera Incites Violence
By Sergey ChernovThe St. Petersburg TimresWednesday, August 27, 2014
The premiere of a new opera was canceled in St. Petersburg last week after both the refusal of yet another venue to hold it and an assault on the opera’s composer.

Called “New Jerusalem,” the opera composed by award-winning local composer Ilya Demutsky with librettist Artyom Suslov will not premiere in the city due to the worsening political and cultural climate, Demutsky said in an interview with The St. Petersburg Times on Aug. 23.
[View All]

Summer 2014 Magazine Issue
  • Summer Apprenticeships
  • Opera Tours for Board Members
  • My First Opera by Speight Jenkins
Contact Us
330 Seventh Avenue, New York, NY 10001
P 212-796-8620 • F 212-796-8621
Info@operaamerica.orgDirections
From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
(not including tip).
  • JFK - Take the AirTrain ($5 - approx. 15 minutes) to the Jamaica Street Station and transfer to the Long Island Railroad (LIRR). Take the LIRR to Penn Station ($12 - approx. 35 minutes). See Penn Station directions below.
  • LaGuardia - Take the M60 Bus to the Hoyt Ave/31st Street. Get on the or Train and take that to 42nd/Times Square Station. Follow the Times Square Station directions below.
  • Newark - Take the New Jersey Transit train to Penn Station ($15 - approx. 45 min). See the Penn Station Directions below.

From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
the right hand side.

From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
MTA Web site.