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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
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Administrator/Trustee Resources & Archives
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About the Archives
OPERA America’s comprehensive Archive, containing hundreds of articles, podcasts and videos, is a rich resource of information for artists, company staff and opera patrons alike.

The Archive contains articles from 1999 to the present, covering topics like fundraising, health, marketing, new works, performance skills, mentoring and finance, written by OPERA America staff and outside industry experts.

Podcasts and videos in the Archive provide invaluable access to OPERA America events such as the Annual Conference and Making Connections.

Full access to the Archive content is available only to OPERA America members. If you are not a member, please view the membership page to learn more.
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From the Archives Popular Administrative/Trustee Resources
OPERA America Supports and Celebrates Trustee Leadership
Staff
In good times and bad, trustees play a vital role in leading opera companies. OPERA America supports good governance through assistance in strategic planning and other customized consulting services. The national service organization for opera also offers several opportunities for leading trustees to gather with their peers to share best practices and celebrate excellence.
Advocacy & Public Policy Update
About OPERA America's Advocacy Efforts Latest News & Alerts
OPERA America represents the interests of the opera community before Congress, the White House and federal agencies. As a founding member of the Performing Arts Alliance, OPERA America works with the performing arts field to advocate for the development of national policies that recognize and strengthen the contributions that the arts make to America.

For more information on OPERA America’s advocacy activities, please contact OPERA America’s Government Affairs Office at 202-375-7523.
Latest Video & Audio Additions
Visa Processing for Foreign Guest Artists
Jonathan Ginsburg and Andi Floyd, FTM Arts Law
Fundraising for Independent Artists
Dianne Debicella, program director, fiscal sponsorship, Fractured Atlas; Eve Gigliotti, mezzo-soprano; Anne Ricci, general managing diva, Opera on Tap
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Current Headlines
Dallas Opera names Emmanuel Villaume new music director
By Scott Cantrell The Dallas Morning NewsTuesday, April 30, 2013

The Dallas Opera has named French conductor Emmanuel Villaume its new music director. He was introduced by Dallas Opera General Director Keith Cerny at a news conference Tuesday morning at the Winspear Opera House. Speaking in charmingly accented, fluent English, Villaume praised the opera house, the Dallas Opera Orchestra, the company staff and “the response of the people in the house, the community.”

OPERA America Program to Aid 13 Companies
By Allan KozzinnArtsBeat (The New York Times)Tuesday, April 30, 2013
Thirteen opera companies across the United States will share $300,000 in grants awarded by OPERA America in the first year of its new Building Opera Audiences program. The grants, which range from $7,500 to $30,000, are for programs meant to increase first-time opera attendance, and to increase return visits.
Santa Fe Opera to Present New Opera About Oscar Wilde
By Rodney PuntThe Huffington PostMonday, April 29, 2013
The historic path to equality for gays and lesbians is strewn with victims of injustice. One of the most egregious examples was the fate of Oscar Wilde, the sparkling genius of late Victorian English theater, whose career was initially charmed but later cursed by the sexual phobias of the time. The Irish playwright was a brave, some would also say foolhardy, soul who flaunted his indiscriminately brilliant wit in a series of plays with multi-dimensional sub-texts that have never lost their luster with audiences. He paid, however, a steep price for that flamboyance in his private life.
Two Opera Professionals Produce Legendary Operas at Home
By StaffCerritos-Artesia PatchSunday, April 28, 2013
It’s an insane idea, to produce opera at your home and expect audiences to flock to backyard performances of Così fan tutte or Don Giovanni. But a couple of wild and crazy professionals, artistic director Josh Shaw of Highland Park and musical director Stephen Karr of New Jersey, have done just that. Their company, Pacific Opera Project (POP) — launched in 2011 — aims to provide audiences with an alternative to L.A.'s big-budget opera circuit and offer local performers a showcase for their talent.  (They even pay their artists!) A fully functioning opera company, POP operates primarily out of Josh Shaw’s home on the border of Eagle rock. The compound houses skeletons of sets, props and costumes procured from studio auctions, including a pair of purple pants worn by Jack Nicholson during his turn as the Joker in Tim Burton’s Batman.
New generation of opera singers slimming down before belting out
By Trish CrawfordThe Toronto Star Friday, April 26, 2013
Increased competition for scarce entertainment dollars, the introduction of HD videos and rising demands for action onstage are causing a sea change in operatic circles.
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Spring 2013 Magazine Issue
  • Letter from the President/CEO
  • Of One: The Quest for Asian Fusion in the Opera House
  • Vancouver: Where Nature Nurtures Art
  • Inheriting the Wind
  • My First Time
Contact Us
330 Seventh Avenue, New York, NY 10001
P 212-796-8620 • F 212-796-8621
Info@operaamerica.orgDirections
From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
(not including tip).
  • JFK - Take the AirTrain ($5 - approx. 15 minutes) to the Jamaica Street Station and transfer to the Long Island Railroad (LIRR). Take the LIRR to Penn Station ($12 - approx. 35 minutes). See Penn Station directions below.
  • LaGuardia - Take the M60 Bus to the Hoyt Ave/31st Street. Get on the or Train and take that to 42nd/Times Square Station. Follow the Times Square Station directions below.
  • Newark - Take the New Jersey Transit train to Penn Station ($15 - approx. 45 min). See the Penn Station Directions below.

From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
the right hand side.

From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
MTA Web site.