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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
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Administrator/Trustee Resources & Archives
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About the Archives
OPERA America’s comprehensive Archive, containing hundreds of articles, podcasts and videos, is a rich resource of information for artists, company staff and opera patrons alike.

The Archive contains articles from 1999 to the present, covering topics like fundraising, health, marketing, new works, performance skills, mentoring and finance, written by OPERA America staff and outside industry experts.

Podcasts and videos in the Archive provide invaluable access to OPERA America events such as the Annual Conference and Making Connections.

Full access to the Archive content is available only to OPERA America members. If you are not a member, please view the membership page to learn more.
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From the Archives Popular Administrative/Trustee Resources
Made Possible, in Part, by the National Endowment for the Arts
Evan Wildstein, Manager of Education and Adult Learning Programs, OPERA America
As the largest annual funder of the arts, the National Endowment for the Arts (NEA), has a long history with opera. Since its inception in 1965, the NEA has made more than 4,500 grants to opera companies, artists and organizations, totaling nearly $167 million. Many of these grants have assisted the creation or implementation of education, community and outreach programs. Throughout the past year, the NEA has made grant investments totaling nearly $2.1 million in support of opera projects, through two of the NEA's grant categories: Access to Artistic Excellence (AAE) and Learning in the Arts for Children and Youth (LITA).

Of the 62 AAE grants awarded in FY2010, more than half supported educational opportunities such as a lectures, in-school presentations, young artist programs or community events. For instance, Des Moines Metro Opera's educational touring troupe, Opera Iowa, will travel to over 70 schools presenting age-appropriate workshops and one-act operas. The Atlanta Opera will develop a program tailored for middle and high school students at area schools, as well as an educational touring production based on Mozart's Die Zauberflöte. A March spring break opera camp will be offered by Lyric Opera of Kansas City.
Advocacy & Public Policy Update
About OPERA America's Advocacy Efforts Latest News & Alerts
OPERA America represents the interests of the opera community before Congress, the White House and federal agencies. As a founding member of the Performing Arts Alliance, OPERA America works with the performing arts field to advocate for the development of national policies that recognize and strengthen the contributions that the arts make to America.

For more information on OPERA America’s advocacy activities, please contact OPERA America’s Government Affairs Office at 202-375-7523.
#Opera in 140 characters
Friday, April 18, 2014
Latest Video & Audio Additions
Visa Processing for Foreign Guest Artists
Jonathan Ginsburg and Andi Floyd, FTM Arts Law
Fundraising for Independent Artists
Dianne Debicella, program director, fiscal sponsorship, Fractured Atlas; Eve Gigliotti, mezzo-soprano; Anne Ricci, general managing diva, Opera on Tap
Taxing Foreign Artists
Robyn Guilliams, FTM Arts Law attorney, Larry Bomback, Director of Finance, OPERA America, Amy Fitterer, Director of Government Affairs, OPERA America
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Current Headlines
Apocalypse Later
By Terry TeachoutThe Wall Street JournalFriday, August 29, 2014
Instead of locking out the Metropolitan Opera's musicians and stagehands, Peter Gelb, the company's general manager, agreed to a still-to-be-ratified settlement with their labor unions that will allow America's biggest opera company to open its 2014-15 season on schedule.
For a Bronx composer, opera rises out of identity struggles
By Maya RajamaniThe Riverdale PressThursday, August 28, 2014
Laura Kaminsky's first opera, 'As One,' will premiere at the Brooklyn Academy of Music on Thursday, Sept. 4. It is a collaboration between Ms. Kaminsky, who wrote the music for string quartet and developed the concept, and Kimberly Reed and Mark Campbell, who wrote the libretto.
AFM President Blasts NFL Super Bowl Halftime Kickback Scheme
By Antoinette FollettAmerican Federation of MusiciansWednesday, August 27, 2014
In what could be deemed the most colossal pay to play scheme ever, the National Football League (NFL) has reportedly asked potential Super Bowl halftime performers if they would be willing to pay the league to play at its big game.
Oh, Susannah: San Francisco Opera Opens Its Golden Gate
By Jeff KalissSan Francisco Classical VoiceWednesday, August 27, 2014
The Sept. 6 company premiere of Susannah serves as a long-awaited reunion of San Francisco Opera’s general director, David Gockley, and the opera’s composer and librettist, Carlisle Floyd.
St. Petersburg Composer's Opera Incites Violence
By Sergey ChernovThe St. Petersburg TimresWednesday, August 27, 2014
The premiere of a new opera was canceled in St. Petersburg last week after both the refusal of yet another venue to hold it and an assault on the opera’s composer.

Called “New Jerusalem,” the opera composed by award-winning local composer Ilya Demutsky with librettist Artyom Suslov will not premiere in the city due to the worsening political and cultural climate, Demutsky said in an interview with The St. Petersburg Times on Aug. 23.
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Summer 2014 Magazine Issue
  • Summer Apprenticeships
  • Opera Tours for Board Members
  • My First Opera by Speight Jenkins
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