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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
National Opera Center
Administrator/Trustee Resources & Archives
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About the Archives
OPERA America’s comprehensive Archive, containing hundreds of articles, podcasts and videos, is a rich resource of information for artists, company staff and opera patrons alike.

The Archive contains articles from 1999 to the present, covering topics like fundraising, health, marketing, new works, performance skills, mentoring and finance, written by OPERA America staff and outside industry experts.

Podcasts and videos in the Archive provide invaluable access to OPERA America events such as the Annual Conference and Making Connections.

Full access to the Archive content is available only to OPERA America members. If you are not a member, please view the membership page to learn more.
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From the Archives Popular Administrative/Trustee Resources
Reading to Write: A Book List for Composers
Staff
Composers are rarely limited by the domain of music; they are inspired by all of their senses. Writing a piece is an extension of your experiences and reflects the language you speak musically and otherwise. At OPERA America, we love using books as a tool for inspiration. We discussed literature and reference texts with industry experts and compiled a reading list for opera composers with topics in technical skills, biographies, history, business, publishing, vocal reference and a few from other art fields. As you explore these resources, take your investigation beyond the page. Interact with singers, work backstage, listen and analyze scores to form an intimate relationship with opera writing.
Advocacy & Public Policy Update
About OPERA America's Advocacy Efforts Latest News & Alerts
OPERA America represents the interests of the opera community before Congress, the White House and federal agencies. As a founding member of the Performing Arts Alliance, OPERA America works with the performing arts field to advocate for the development of national policies that recognize and strengthen the contributions that the arts make to America.

For more information on OPERA America’s advocacy activities, please contact OPERA America’s Government Affairs Office at 202-375-7523.
#Opera in 140 characters
Friday, April 18, 2014
Latest Video & Audio Additions
Visa Processing for Foreign Guest Artists
Jonathan Ginsburg and Andi Floyd, FTM Arts Law
Fundraising for Independent Artists
Dianne Debicella, program director, fiscal sponsorship, Fractured Atlas; Eve Gigliotti, mezzo-soprano; Anne Ricci, general managing diva, Opera on Tap
Taxing Foreign Artists
Robyn Guilliams, FTM Arts Law attorney, Larry Bomback, Director of Finance, OPERA America, Amy Fitterer, Director of Government Affairs, OPERA America
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Current Headlines
New York City ID Cards Coming With Cultural Benefits
By Michael M. Grynbaum, Robin PogrebinThe New York TimesFriday, September 19, 2014
The municipal identification cards that New York plans to start issuing next year in an effort to make life easier for undocumented immigrants will come with an added benefit so enticing that many others may sign up for them too: an offer of free tickets or discounts at 33 of the city’s leading cultural institutions.
Tibor Rudas Dies at 94; Brought the World the Three Tenors
By Douglas MartinThe New York TimesFriday, September 19, 2014
Tibor Rudas, an irrepressible impresario who took classical music from concert halls to casinos and from there to baseball stadiums and the Eiffel Tower, helping to propel the Three Tenors to global glory, died on Sept. 8 at his home in Santa Monica. Calif. He was 94.
'Massive' Klinghoffer Protest Planned for Met Opening Night
By Susan ElliottMusical AmericaTuesday, September 16, 2014
The “Coalition Against the Met Terror Opera” (CATO) has announced a “massive” protest scheduled for Sept. 22 starting at 4:30 p.m. It promises “thousands” on hand to declare their disgust with an “opera promoting terrorism, anti-Semitism, and anti-Zionism.”  ...CATO is protesting John Adams’s The Death of Klinghoffer, which opens Oct. 20.
2nd conductor resigns from Vienna State Opera
By Associated PressThe Washington PostTuesday, September 16, 2014
The Vienna State Opera has lost Bertrand de Billy — its second star conductor in less than two weeks.
What makes a musical leading lady?
By Mark LawsonThe GuardianFriday, September 12, 2014
The word "diva" was co‑opted from opera to refer to powerful women in other fields. But, in three shows being staged this autumn, the metaphor is reversed by turning non-singing high-achieving controversial figures into musical leading ladies.
[View All]

Fall 2014 Magazine Issue
  • Are Women Different?
  • Preparing for Klinghoffer
  • Emerging Artists: Act One


Contact Us
330 Seventh Avenue, New York, NY 10001
P 212-796-8620 • F 212-796-8621
Info@operaamerica.orgDirections
From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
(not including tip).
  • JFK - Take the AirTrain ($5 - approx. 15 minutes) to the Jamaica Street Station and transfer to the Long Island Railroad (LIRR). Take the LIRR to Penn Station ($12 - approx. 35 minutes). See Penn Station directions below.
  • LaGuardia - Take the M60 Bus to the Hoyt Ave/31st Street. Get on the or Train and take that to 42nd/Times Square Station. Follow the Times Square Station directions below.
  • Newark - Take the New Jersey Transit train to Penn Station ($15 - approx. 45 min). See the Penn Station Directions below.

From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
the right hand side.

From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
MTA Web site.