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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
National Opera Center
Administrator/Trustee Resources & Archives
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About the Archives
OPERA America’s comprehensive Archive, containing hundreds of articles, podcasts and videos, is a rich resource of information for artists, company staff and opera patrons alike.

The Archive contains articles from 1999 to the present, covering topics like fundraising, health, marketing, new works, performance skills, mentoring and finance, written by OPERA America staff and outside industry experts.

Podcasts and videos in the Archive provide invaluable access to OPERA America events such as the Annual Conference and Making Connections.

Full access to the Archive content is available only to OPERA America members. If you are not a member, please view the membership page to learn more.
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From the Archives Popular Administrative/Trustee Resources
On Networking
Angela Myles Beeching, Director, New England Conservatory Career Services Center
You often hear, "It's not what you know, it's who you know!" There is a real element of truth to this but to be accurate, it's who you know and what you do about it that matters. Networking, or "schmoozing," is simply an exchange of information and resources; it's a two-way street.

People often associate networking with other fields — with high tech or business — not the arts. But networking is an important factor in all fields, especially in the "small world" of music where reputations and connections are critical, if not crucial, to career building.
Advocacy & Public Policy Update
About OPERA America's Advocacy Efforts Latest News & Alerts
OPERA America represents the interests of the opera community before Congress, the White House and federal agencies. As a founding member of the Performing Arts Alliance, OPERA America works with the performing arts field to advocate for the development of national policies that recognize and strengthen the contributions that the arts make to America.

For more information on OPERA America’s advocacy activities, please contact OPERA America’s Government Affairs Office at 202-375-7523.
#Opera in 140 characters
Friday, April 18, 2014
Latest Video & Audio Additions
Visa Processing for Foreign Guest Artists
Jonathan Ginsburg and Andi Floyd, FTM Arts Law
Fundraising for Independent Artists
Dianne Debicella, program director, fiscal sponsorship, Fractured Atlas; Eve Gigliotti, mezzo-soprano; Anne Ricci, general managing diva, Opera on Tap
Taxing Foreign Artists
Robyn Guilliams, FTM Arts Law attorney, Larry Bomback, Director of Finance, OPERA America, Amy Fitterer, Director of Government Affairs, OPERA America
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Current Headlines
Orchestra Faults Met Chief’s Record as a Lockout Looms
By Michael CooperThe New York TimesSunday, July 27, 2014
Facing a potential lockout that could halt work at the Metropolitan Opera when its labor contracts expire next week, representatives of the company’s orchestra sat down with the administration on Friday for their first across-the-table negotiating session since February. The meeting appeared to be less than harmonious.
Carlo Bergonzi, Masterful Operatic Tenor, Dies at 90
By Margalit FoxThe New York TImesSunday, July 27, 2014
Carlo Bergonzi, one of the 20th century’s most distinguished operatic tenors, renowned for the refined interpretive taste and keen musical intelligence he brought to his art, died on Friday in Milan. He was 90.
Metropolitan Opera Leader Warns of Lockout
By Jennifer MaloneyThe Wall Street JournalWednesday, July 23, 2014
The Metropolitan Opera's general manager said Wednesday that the company would likely lock out its union workers starting Aug. 1, and advised employees to prepare for a work stoppage.
Opera's Old-Fashioned Race Problem
By Gwynn GuilfordThe Atlantic Wednesday, July 23, 2014
For the last two weekends, 38 white amateur performers in Seattle cinched up their obis and daubed on facepaint to perform The Mikado—standard fare for an operetta set on the fictional Japanese island Titipu where characters are given ridiculous names like Nanki-Poo and Yum-Yum.
Revenue, labor woes have Met Opera singing the blues
By Theresa AgovinoCrain's New YorkWednesday, July 23, 2014
Those numbers, and the Met's deficit, are among some of the hard realities facing the company as it attempts to renegotiate contracts with its 15 unions. Many observers think a strike or lockout will occur, which could further damage the Met's shaky finances.
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Summer 2014 Magazine Issue
  • Summer Apprenticeships
  • Opera Tours for Board Members
  • My First Opera by Speight Jenkins
Contact Us
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P 212-796-8620 • F 212-796-8621
Info@operaamerica.orgDirections
From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
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  • LaGuardia - Take the M60 Bus to the Hoyt Ave/31st Street. Get on the or Train and take that to 42nd/Times Square Station. Follow the Times Square Station directions below.
  • Newark - Take the New Jersey Transit train to Penn Station ($15 - approx. 45 min). See the Penn Station Directions below.

From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
the right hand side.

From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
MTA Web site.