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Ausrine Stundyte as Cio-Cio-San, Elizabeth Janes as Butterfly’s child and Sarah Larsen as Suzuki in Seattle Opera's production of Puccini's Madama Butterfly. Photo by Elise Bakketun.
Making Connections
Administrator/Trustee Resources & Archives
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About the Archives
OPERA America’s comprehensive Archive, containing hundreds of articles, podcasts and videos, is a rich resource of information for artists, company staff and opera patrons alike.

The Archive contains articles from 1999 to the present, covering topics like fundraising, health, marketing, new works, performance skills, mentoring and finance, written by OPERA America staff and outside industry experts.

Podcasts and videos in the Archive provide invaluable access to OPERA America events such as the Annual Conference and Making Connections.

Full access to the Archive content is available only to OPERA America members. If you are not a member, please view the membership page to learn more.
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From the Archives Popular Administrative/Trustee Resources
Good Reads: A Book List for Singers
Megan Young, Artistic Services Director, OPERA America
At OPERA America, we love books. In our office, we have a huge library full of them with titles ranging from the studious (e.g. Schoenberg's Fundamentals of Musical Composition) to the salacious (The Private Lives of the Three Tenors, anyone?). Yes, we know we can download books to our e-readers, subscribe to just about everything via RSS and absorb today's news from our smart phones, but to many of us there's nothing like pulling a well-worn paperback out for a good read. Call us old-fashioned.

In light of our collective bibliophilia, OPERA America staff members, along with constituents of the Singer Training Forum steering committee, put together a suggested reading list for singers. Some choices are highly-specialized books for singers; others are less obviously connected to the art of singing, but provide rich fodder for thought. The books have been separated into categories for easy navigation, but note that some selections may be appropriate to more than one category.

The reading list is not a definitive list, but rather a starting point. As always, we encourage you to seek the advice of your personal network (teachers, coaches, professional contacts) in considering other important resources and areas of study. Happy reading!

Thank you to Ann Baltz of OperaWorks, Laura Brooks Rice of Westminster Choir College/CoOPERAtive Program and Kelley Rourke for contributing their favorite books to this list.
Advocacy & Public Policy Update
About OPERA America's Advocacy Efforts Latest News & Alerts
OPERA America represents the interests of the opera community before Congress, the White House and federal agencies. As a founding member of the Performing Arts Alliance, OPERA America works with the performing arts field to advocate for the development of national policies that recognize and strengthen the contributions that the arts make to America.

For more information on OPERA America’s advocacy activities, please contact OPERA America’s Government Affairs Office at 202-375-7523.
#Opera in 140 characters
Friday, April 18, 2014
Five highlights of the opera season
Wednesday, April 16, 2014
Latest Video & Audio Additions
Visa Processing for Foreign Guest Artists
Jonathan Ginsburg and Andi Floyd, FTM Arts Law
Fundraising for Independent Artists
Dianne Debicella, program director, fiscal sponsorship, Fractured Atlas; Eve Gigliotti, mezzo-soprano; Anne Ricci, general managing diva, Opera on Tap
Taxing Foreign Artists
Robyn Guilliams, FTM Arts Law attorney, Larry Bomback, Director of Finance, OPERA America, Amy Fitterer, Director of Government Affairs, OPERA America
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Current Headlines
Ft. Sheridan girl lands understudy role in Lyric Opera’s ‘Sound of Music’
By Linda BlaserLake ForesterFriday, April 18, 2014
Most 11-year-olds have busy after school schedules, but few involve rehearsing with the Lyric Opera of Chicago six days a week. Spunky Sophie Varones of Ft. Sheridan landed the role as understudy to Brigitta von Trapp in the Rodgers and Hammerstein family classic, “The Sound of Music,” which will be performed Friday, April 25, through Sunday, May 25. Her first professional performance is a dream for Sophie, who puts the world-famous musical at the top of her list of favorite movies. Before this, the fifth-grader at Lake Forest Country Day School acted locally with The Performer’s School in Highwood, The Music Theatre Company in Highland Park and at the Performing Arts Summer Theatre Academy in Lake Forest.
8 tech tools every nonprofit should use
By Timothy HoustonInsightNews.comFriday, April 18, 2014
With an estimated 1.5 million nonprofits in the United States alone, nonprofits help with everything from ending local hunger, advocating literacy, and other essential services that help build strong community. Yet for all their diversity, nonprofits share many of the same needs. Here are eight useful tech websites that nonprofits can use to stay organized, funded, and in the public eye. 
A Singer without a Pedigree Gives a Life and Death Performance
By Greg HettmansbergerMadison MagazineFriday, April 18, 2014
As soon as you meet baritone Michael Mayes all you can see is what a genuine, warm guy he is. He’s a lot like his dog, Pete, who has made the trip to Madison with him for Madison Opera’s season-ending production of Dead Man Walking at the end of this month.
Stephanie Blythe pays tribute to Kate Smith in 'We'll Meet Again'
By Ross AmicoNJ.comFriday, April 18, 2014
When mezzo-soprano Stephanie Blythe takes the stage of the McCarter Theatre Center’s Matthews Theatre on Monday, she will do so not only as a custodian of the Great American Songbook, but also as an advocate for one the most galvanizing personalities of radio’s Golden Age.
National Geographic Concludes What Americans Will Look Like in 2050, and It's Beautiful
By Zak Cheney-RicePolicyMicFriday, April 18, 2014
It's no secret that interracial relationships are trending upward, and in a matter of years we'll have Tindered, OKCupid-ed and otherwise sexed ourselves into one giant amalgamated mega-race. But what will we look like? National Geographic built its 125th anniversary issue around this very question last October, calling on writer Lise Funderburg and Martin Schoeller, a renowned photographer and portrait artist, to capture the lovely faces of our nation's multiracial future.
[View All]

Spring 2014 Magazine Issue
  • From Gold Rush to Google
  • Before, After and During Opera Conference 2014
  • OPERA America's New Works Forum Expands and Explores
Contact Us
330 Seventh Avenue, New York, NY 10001
P 212-796-8620 • F 212-796-8621
Info@operaamerica.orgDirections
From Airport:
The easiest way to reach the OPERA America offices is to get a cab at the airport. Cost is $40-45
(not including tip).
  • JFK - Take the AirTrain ($5 - approx. 15 minutes) to the Jamaica Street Station and transfer to the Long Island Railroad (LIRR). Take the LIRR to Penn Station ($12 - approx. 35 minutes). See Penn Station directions below.
  • LaGuardia - Take the M60 Bus to the Hoyt Ave/31st Street. Get on the or Train and take that to 42nd/Times Square Station. Follow the Times Square Station directions below.
  • Newark - Take the New Jersey Transit train to Penn Station ($15 - approx. 45 min). See the Penn Station Directions below.

From Penn Station/Madison Square Garden:
Leave the station through the 7th Avenue/33rd Street exit and walk south for four blocks. The building is on
the right hand side.

From Grand Central Station:
Take the Train to the 42nd/Times Square station and transfer to the Train.
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

From 42nd Street/Times Square:
Take the Train to the 28th Street stop and walk north on 7th Avenue.
The building is on the same block as the train stop.

For more detailed directions, most up-to-date pricing or to specify a different starting location, please visit the
MTA Web site.