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Number and Location of Companies |
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OPERA America serves the opera field in its broadest dimension, supporting the creation, presentation and enjoyment of opera. In the United States, it counts 119 professional companies in 42 states in its membership. It also serves 17 professional companies in five provinces in Canada, which are members of Opera.ca. Over half of these companies were established after 1970, and one quarter of the total were established since 1980, making the growth of opera throughout North America a relatively new phenomenon. In addition to its North American membership, OPERA America works in partnership with Opera Europa to serve 91 affiliated companies in Europe, as well as serving four additional companies from around the globe. (Source: OPERA America) |
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Attendance |
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Over 4.3 million people attended a live performance at one of OPERA America’s Professional Company Members in 2009, including education and outreach programs, and festivals. |
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Number of Productions |
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In 2009-2010, OPERA America’s Professional Company Members in North America are presenting 449 fully staged main season and festival productions. |
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Audience
Demographics |
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In 2008, the median age of the opera attendee was 48, one year older than in 2002.
In 2008, 5.2% of adults with a Bachelor's or higher degree attended an opera performance. (Source: National Endowment for the Arts) |
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Broadcast and
Recorded Media |
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The percentage of adults viewing or listening to opera via broadcast and recorded media remains higher than live attendance. In 2008, 11 million adults, or 4.9% of the population, viewed or listened to an opera broadcast or recording. (Source: National Endowment for the Arts) |
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Economic Impact |
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Currently, North American opera companies have over 55,000 full-time and part-time employees. The collective expenses of American and Canadian opera companies for 2008-2009 were $896 million, and the collective revenue was $623 million. (Source: OPERA America) |
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Box Office Income |
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OPERA America and Opera.ca companies posted $305 million dollars in box office receipts for FY09. Box office income represents 44% of total operating income for all companies. (Source: OPERA America) |
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Private Support |
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Private support of OPERA America companies in the United States totaled $369 million in FY09, representing 52% of the total income. (Source: OPERA America) |
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Government
Support |
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Total government support for American opera companies in FY09 amounted to $17.7 million. Of that, about $6.4 million came from state funding sources. |
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New Works |
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In the calendar years of 2009 and 2010, OPERA America members are involved with 51 world premieres. Since 1990, over 400 new operatic works have been produced by professional opera companies in North America. (Source: OPERA America) |
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Most Frequently Produced
Operas |
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The most frequently produced operas in the 2009-2010 season were: The Marriage of Figaro, La bohème, Carmen, Tosca, La traviata, Madame Butterfly, The Magic Flute, Hansel and Gretel, The Elixir of Love and Don Giovanni.
The most frequently produced North American operas in the 2009-2010 season were: George Gershwin's Porgy and Bess, Stephen Sondheim's A Little Night Music, John Adams’s Nixon in China, Lewis Spratlan’s Life is a Dream, Jake Heggie’s Three Decembers and Gian Carlo Menotti’s Amahl and the Night Visitors. (Source: OPERA America)
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For more information, please contact:
Patricia Kiernan Johnson
OPERA America
330 Seventh Avenue, 16th Floor
New York, NY 10001
(212) 796-8620 www.operaamerica.org
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