As One
Composer: Laura Kaminsky
Composer Bio: Laura Kaminsky is a composer with “an ear for the new and interesting” whose works are “colorful and harmonically sharp-edged” (The New York Times) and whose “musical language is compounded of hymns, blues, and gestures not unlike those of Shostakovich” (inTune). Kaminsky has received commissions, fellowships, and awards from the National Endowment for the Arts, Koussevitzky Music Foundation, Opera America, New York State Council on the Arts, Aaron Copland Fund, Chamber Music America, American Music Center, USArtists International, CEC ArtsLink International Partnerships, Kenan Institute for the Arts, Artist Trust, and Meet the Composer, among others. She has received six ASCAP-Chamber Music America Awards for Adventuresome Programming and is the recipient of the Polish Ministry of Culture and National Heritage 2010 Chopin Award. She has been a fellow at artists' communities including the Hermitage Artist Retreat Center, Virginia Center for the Creative Arts, Centrum Foundation, Dorland Mountain Arts Colony, and the Millay Colony for the Arts. She is on the faculty at the Conservatory of Music at Purchase College/SUNY and has served as Artistic Director of Symphony Space in New York City until spring 2014.
Librettist: Mark Campbell
Librettist Bio: Mark Campbell is one of the most in-demand and prolific librettists in the world. Of the 15 plus operas he has written, his most-known work is Silent Night, which received the 2012 Pulitzer for Music. Since its premiere at Minnesota Opera, the work has been broadcast on PBS' Great Performances and produced by many opera companies across the country. Mark's other successful operas are Later the Same Evening, Volpone, Bastianello/Lucrezia, As One, The Manchurian Candidate and, most recently, The Shining.

Campbell has received many prestigious prizes, including a Grammy nomination, the first Kleban Foundation Award for Lyricist, two Richard Rodgers Awards, a Jonathan Larson Foundation Award, a NYFA Playwriting Fellowship and the first Domenic J. Pellicciotti Opera Composition Prize.

Campbell also mentors future generations of writers through such organizations as American Opera Projects, American Lyric Theatrer, the University of Colorado's New Opera Workshop and Opera Philadelphia's Composer in Residence program.

He is premiering five new operas in 2017: Dinner at Eight for Minnesota Opera, Some Light Emerges for Houston Grand Opera, The Nefarious, Immoral Enterprise of Messrs. Burke & Hare for Boston Lyric Opera, Elizabeth Cree for Opera Philadelphia and The (R)evolution of Steve Jobs for The Santa Fe Opera.
Premiere Date: September 04, 2014
Description:

As One tells the story and struggle of the transgender protagonist, Hannah, as she tries to reconcile the discord between herself and the outside world. As One traces Hannah’s experiences from her youth in a small town to her college years on the West Coast, and finally to Norway where she is surprised at what she learns about herself.

Click here for more detailed information on this North American work.
Character List (Major): Hannah Before (Bar)
Hannah After (Mezzo) 
Comments: Detailed Scene Breakdown
Told from the perspective of 'Hannah Before' and 'Hannah After' (a baritone and mezzo soprano, respectively, representing the transgender Hannah both pre and post-operation) in the form of 15 songs which stretch from childhood to adolescence to early adulthood. 

1. Hannah describes her paper route, which she diligently completes every day just like 'every good boy,' although unlike other boys, she sometimes wears a blouse underneath her jacket, because it 'all just feels so right.'

2. During a cursive lesson, Hannah struggles to write in a 'controlled, constrained, constricted' way, eschewing the 'generous loops' and 'graceful swirls' that are hallmarks of feminine cursive.

3. Hannah's class is divided by gender and directed to separate rooms for sexual education class. While learning about what to expect for male puberty, Hannah longs to be in the other rooms, with the girls.

4. Hannah dissents with her classmates while reading John Donne's 'No Man is an Island,' proclaiming that "I see no other life than one apart. Alone"

5. Hannah describes the grueling regimen that she performs on a daily basis to be the 'perfect boy.' This includes excelling  in contact sports and receiving honor roll.

6. For the first time ever, Hannah sees a transgender woman on television. Running to the library, she flips through the card catalog and sees, for the first time, 'Transsexual' printed in ink. She then spends many countless hours in the library reading about her condition.

Part II

7. Hannah describes the two cities she lives in, one where she presents as male and the other where she presents as herself, a woman.

8. Hannah is overcome with emotion when a passing man says to her "Pardon me, Miss." It is the first time another person has perceived her as she truly is.

9. Hannah starts hormone therapy, and struggles with the emotional side effects, while remaining optimistic that the pills will finally have their physical effects

10. Hannah writes a letter to her parents apologizing for her inability to travel home for the Christmas Holidays

11. Hannah describes a felicitous encounter she has in a cafe with a young man, whom she flirts with. Although she knows that this will not likely result in a relationship, she appreciates the human connection.

12. Hannah reads a letter from her father, addressed to her as 'Son,' where he wants to make sure that Hannah is happy, as she (or he, as her father believes) sounded quiet in her last letter. 

13. Hannah is accosted and attacked by a man who suspects her of being transgender. She manages to escape in her car unscathed. (While Hannah 'after' describes these events, Hannah 'before' reads of list of transgender people who were recently murdered)

14. The voices in Hannah's head torment her, insisting that she will never be able to go on with life. She perseveres and goes on to Norway

15. In Norway, staying at a friend's cabin, Hannah initially struggles with nature, first making jam from berries that turn out to be inedible and then taking out a boat on the pond and discovering it has a leak. She then realizes that the past four days in Norway have been spend as herself, with no one there to judge her or draw conclusions about. She happily sends postcards home, signed in her new name, using the handwriting that her cursive teachers so many years ago forbade her from using. She returns back home, not as a boy or a girl, but as both. As One.

End 

1542.jpg is a photo of As One
Length: 01:15
Total Acts: Not Available
Contact: Bill Holab
Address: Bill Holab Music
Composer Web Site: www.laurakaminsky.com
Librettist Web Site: www.markcampbellwords.com
Schedule of Performances Listings
As One (Kaminsky)
Thursday, September 4, 2014 - American Opera Projects
As One (Kaminsky)
- American Opera Theater
THE ORGANIZATION EXPERIENCE OPERA RESOURCES
THE NATIONAL OPERA CENTER EVENTS FACILITIES AND SERVICES
BECOME A MEMBER SUPPORT OPERA AMERICA
RESOURCES
To have your company’s photos included in the header rotation, send photos that are at least 1200px wide and 550px tall to Webmaster@operaamerica.org. Please note that submission of photos does not guarantee inclusion.
All OPERA America facilities are handicapped accessible. The National Opera Center features ground-level entry with elevators to the venue. All spaces are wheelchair accessible, and modular seating can be arranged to accommodate wheelchair users for all programs and performances. Handicapped accessible restrooms are available on all floors.
330 Seventh Avenue, New York, NY 10001
Tel: 212.796.8620 • Fax: 212.796.8621
Info@operaamerica.org

Privacy PolicyReturns Policy
2015 Form 990FY16 Audited Financial Statement
© Copyright 1995-2017 OPERA America Inc.

Technical issue with the website? Let us know.