Company:Florida Grand Opera
Click here for company details.
Web Site:www.fgo.org
Phone:305-854-1643
Fax:305-856-1042
Facebook:https://www.facebook.com/fgo.org
Twitter:https://twitter.com/FGOpera
YouTube:https://www.youtube.com/channel/UCvqNu6Og0odCxhQxFFWiX5Q
performance datesmatinee
Saturday, January 27, 2018
Sunday, January 28, 2018
Tuesday, January 30, 2018
Friday, February 2, 2018
Saturday, February 3, 2018
Thursday, February 8, 2018
Saturday, February 10, 2018
Salome
Composer: Richard Strauss

Librettist: Wilde, O./Lachmann, H.

Premiere Date: Saturday, December 9, 1905
Synopsis
Behind the palace of Herod. Night.

In the moonlight, Narraboth, captain of the guard, fixes his gaze upon Princess Salome who is attending a party at the court of her stepfather, the tetrarch Herod. A page warns Narraboth that he should be more discreet; it is dangerous to look at her. John the Baptist (Jokanaan) has been imprisoned by Herod deep in an old cistern in the back of the palace; his voice echoes as he proclaims the coming of the Messiah. Salome, disgusted by her stepfather’s glances and his guests’ lecherous behavior, steps out of the palace for some fresh air. She is fascinated by Jokanaan’s voice, and is particularly curious when he curses her own mother, Herodias, wife of the tetrarch. The guards refuse to let her speak to Jokanaan, so Salome uses her charms to make Narraboth comply with her wishes. He orders the prophet to be brought out. Salome is both fascinated and repulsed by the prophet’s appearance, but desires to touch him. Jokanaan rejects her, proclaiming the coming of the Son of Man. She continues her advances and even begs the prophet to kiss her. In horror, Narraboth kills himself. Jokanaan is returned to the cistern, cursing the young girl.

Herod appears, looking for Salome. He is preoccupied by the strangeness of the moon, and slips in Narraboth’s blood; seized by hallucinations, he hears the beating of vast wings. Herodias urges him to return to the palace. He refuses and brazenly continues his advances towards Salome who again rejects him. Jokanaan’s voice once more is heard from the cistern, this time calling for Herodias to be crushed to death. She demands that Herod turn the prophet over to the Jews. He refuses, insisting that the prophet is a holy man. The Jews and Nazarenes argue about the nature of God. The prophet continues his accusations, and Herodias furiously demands that he be silenced. Looking for some relief from the chaos around him, Herod begs Salome to dance for him, and promises anything she desires in return — even half his kingdom. Salome makes Herod swear he will keep his promise, and dances seductively for him. Intoxicated by her, Herod asks Salome how he may reward her for the entertainment. She asks for the head of Jokanaan on a silver charger. Herod is horrified but Herodias laughs. In desperation, Herod offers Salome alternatives, but she rejects them all. Finally Herod gives in and orders the Executioner to go down into the cistern. Left alone, Salome seizes her reward.

Courtesy of Opera Theater of Saint Louis
TitleComposerOpening Night
Data pager
Data pager
Page size:
PageSizeComboBox
select
 215 items in 15 pages
Florencia en el AmazonasCatánSaturday, April 28, 2018
Orfeo ed EuridiceGluckSaturday, March 17, 2018
SalomeStraussSaturday, January 27, 2018
Lucia di LammermoorDonizettiSaturday, November 11, 2017
Un ballo in mascheraVerdiSaturday, April 29, 2017
Before Night FallsMartinSaturday, March 18, 2017
Before Night FallsMartinSaturday, March 18, 2017
Eugene OneginTchaikovskySaturday, January 28, 2017
CarmenBizetSaturday, November 12, 2016
Don PasqualeDonizettiSaturday, May 7, 2016
The PassengerWeinbergSaturday, April 2, 2016
NormaBelliniSaturday, January 23, 2016
The Barber of SevilleRossiniSaturday, November 14, 2015
The Barber of SevilleRossiniSaturday, November 14, 2015
Madame ButterflyPucciniTuesday, November 11, 2014
COMPANYTITLECOMPOSERDATE
Data pager
Data pager
Page size:
PageSizeComboBox
select
 87 items in 6 pages
Florida Grand OperaSalomeStraussJanuary 2018
West Bay OperaSalomeStraussMay 2017
Los Angeles OperaSalomeStraussFebruary 2017
Metropolitan OperaSalomeStraussDecember 2016
Santa Fe OperaSalomeStraussJuly 2015
Dallas OperaSalomeStraussOctober 2014
Opera PhiladelphiaSalomeStraussMay 2014
Portland OperaSalomeStraussNovember 2013
Utah Symphony | Utah OperaSalomeStraussOctober 2013
Edmonton OperaSalomeStraussOctober 2013
Canadian Opera CompanySalomeStraussApril 2013
Palm Beach OperaSalomeStraussMarch 2013
Santa Fe OperaSalomeStraussJuly 2012
New Orleans Opera AssociationSalomeStraussMarch 2012
San Diego Opera AssociationSalomeStraussJanuary 2012
Questions?
Questions about this application? Please contact Kevin Sobczyk, CIO, at Kevin@operaamerica.org.
THE ORGANIZATION EXPERIENCE OPERA RESOURCES
THE NATIONAL OPERA CENTER EVENTS FACILITIES AND SERVICES
BECOME A MEMBER SUPPORT OPERA AMERICA
RESOURCES
To have your company’s photos included in the header rotation, send photos that are at least 1200px wide and 550px tall to Webmaster@operaamerica.org. Please note that submission of photos does not guarantee inclusion.
All OPERA America facilities are handicapped accessible. The National Opera Center features ground-level entry with elevators to the venue. All spaces are wheelchair accessible, and modular seating can be arranged to accommodate wheelchair users for all programs and performances. Handicapped accessible restrooms are available on all floors.
330 Seventh Avenue, New York, NY 10001
Tel: 212.796.8620 • Fax: 212.796.8621
Info@operaamerica.org

Privacy PolicyReturns Policy
2015 Form 990FY16 Audited Financial Statement
© Copyright 1995-2017 OPERA America Inc.

Technical issue with the website? Let us know.