Article
Published: 02 Oct 2025
Wardrobe Change: Opera's costume designers find creative solutions to industry challenges
This article was published in the Fall 2025 issue of Opera America Magazine.
In June, New York-based costume designer Vita Tzykun was deep into tech week for The Cunning Little Vixen at Des Moines Metro Opera. She sent me a photo to prove it: soprano Léa Nayak trying on her costume, craning her neck to admire its fanned thicket of cerulean feathers. Later, when Tzykun and I connected, she revealed the costume’s eye-popping backstory: The intricate feather work had been assembled in, then shipped out of, war-torn Ukraine.
This article was published in the Fall 2025 issue of Opera America Magazine.
Hannah Edgar
Hannah Edgar is a freelance music journalist and researcher, writing most often for the Chicago Tribune as its classical and jazz critic.
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