OPERA America Announces Recipients of Its 2018 National Opera Trustee Recognition Awards
Carol F. Henry, Los Angeles Opera
R. Jamison Williams, Michigan Opera Theatre
Henry Fogel, Chicago Opera Theater
John Serrage, Opera Maine
Opera.ca Presents Its 2018 National Opera Directors Recognition Award to Bruce Munro Wright, Vancouver Opera and Richard Cook, Edmonton Opera
Bank of America Proudly Sponsors the National Opera Trustee Recognition Program for the 11th Consecutive Year
OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce the recipients of its 2018 National Opera Trustee Recognition Awards. Now in their 11th year, these awards honor outstanding trustees of U.S. opera companies for their exemplary leadership, generosity and audience-building efforts on behalf of their respective organizations.
The recipients of the 2018 National Opera Trustee Recognition Awards are Carol F. Henry, Los Angeles Opera; R. Jamison Williams, Michigan Opera Theatre; Henry Fogel, Chicago Opera Theater; and John Serrage, Opera Maine.
OPERA America will pay tribute to the 2018 honorees and celebrate their remarkable achievements at a dinner and reception on Friday, February 23, in New York City. The evening will feature excerpts from Jack Perla and Rajiv Joseph’s opera Shalimar the Clown, performed by soprano Anush Avetisyan, tenor Joshua Blue, baritone Robert Mellon and pianist Lachlan Glen.
"We are delighted to be joined by Bank of America in celebrating the significant and enduring contributions of these devoted trustees," stated Marc A. Scorca, president/CEO of OPERA America. "Successful opera companies depend on effective boards. The National Opera Trustee Recognition Awards afford the entire opera community an opportunity to salute and learn from those who have been so generous in their passion for the art form, vision and support of their opera companies."
Each year, OPERA America’s Professional Company Members are invited to nominate one of their trustees for this award. Through a competitive adjudication process, honorees are chosen by a National Opera Trustee Recognition Program selection committee, chaired this year by OPERA America Board Member Carol Lazier (chair of the board, San Diego Opera). The other committee members were Elizabeth M. Eveillard (managing director, the Metropolitan Opera, and life trustee, The Glimmerglass Festival), Holly Mayer (board chair, The Dallas Opera), John F. Nesholm (chair, Seattle Opera) and Ruth W. Orth (immediate past chair, Pensacola Opera). Each member of the selection committee is a previous honoree of the National Opera Trustee Recognition Program.
“As past president of San Diego Opera, I know the dedication and effort required to effectively oversee an opera company in today's exciting and challenging times,” stated Ms. Lazier. “Now, as a past National Opera Trustee Recognition Award recipient and current OPERA America trustee, it is my pleasure to honor the exceptional leadership and accomplishments of the 2018 honorees.”
OPERA America’s commitment to recognizing excellence in governance is shared by its sister organization, Opera.ca, the Canadian national association for opera. Opera.ca honors Richard Cook of Edmonton Opera and Bruce Munro Wright of Vancouver Opera as the 2018 recipients of its National Opera Directors Recognition Award.
Since its inception 11 years ago, OPERA America’s National Opera Trustee Recognition Program has been made possible by the generosity of Bank of America. "The Bank’s long-term sponsorship of this program illustrates its commitment to supporting effective leadership across the opera community, for which we are profoundly grateful," stated Scorca.
Recognizing that devoted trustees are integral to opera companies both large and small, the selection committee chooses honorees from across OPERA America’s budget groups. These groupings classify OPERA America’s Professional Company Members according to their annual operating budgets.
The honorees display a significant range of accomplishments, profound generosity and a deep devotion to promoting opera in their communities. The following profiles illustrate just a few examples of their dedication.