Listening Sessions
Michael J. Bobbitt, OPERA America's new president/CEO, invites you to meet him virtually for listening sessions focused on hearing directly from the organization's three affinity groups:
- Women's Opera Network
Wednesday, November 18, 2026
3:30 p.m. – 5:00 p.m. ET - Racial Justice Opera Network
Thursday, November 19, 2026
3:30 p.m. – 5:00 p.m. ET - LGBTQIA+ Opera Affinity Network
Friday, November 20, 2026
3:30 p.m. – 5:00 p.m. ET
These listening sessions are an important part of Michael’s first year at OPERA America, helping to inform his leadership and shape the organization’s priorities and direction during his tenure.
Rather than a presentation, this will be a facilitated listening session. Michael will hear from participants about their experiences, questions, and priorities. Participants are invited to come prepared to share what is working, what could work differently, and what a meaningful and mutually beneficial relationship with OPERA America could look like in the future.
These meetings are intended for all industry professionals: company leaders, administrators, trustees, artists, educators, and associates. Eligibility varies by session; see each listening session's registration page for details on who is invited to attend.
Listening Sessions will take place virtually.
Explore the full schedule below.
Generously supported by the Arthur F. and Alice E. Adams Charitable Foundation
Join Us Online
Access to the livestream is free, but advance registration is required. You will be emailed tune-in details in advance of the event.
All sessions take place from 3:30 p.m. – 5:00 p.m. ET
Women's Opera Network • November 18, 2026
Facilitated by:
Michael J. Bobbitt, president and CEO, OPERA America
Michael J. Bobbitt joined OPERA America as president and CEO in January 2026. Bobbitt is a nationally recognized arts executive, producer, and artist whose career bridges public policy, organizational transformation, and creative practice. Before coming to OPERA America, he served as executive director of the Mass Cultural Council in Boston since 2021. As Massachusetts’ highest-ranking public official for arts and culture, he led strategy, operations, and cross-sector partnerships for a $29.7B creative economy. During his tenure, the agency secured $60.1 million in COVID relief; state appropriations grew from $18.2 million to $26.9 million; and the arts were explicitly embedded in statewide health, education, and economic policies.
Before public service, Bobbitt led two producing theaters. As producing artistic director of New Repertory Theatre (Massachusetts) from 2019 to 2021, he repositioned the company around inclusion and community engagement while growing audiences, ticket revenue, contributed income, and board giving. From 2007 to 2019, as artistic director of Adventure Theatre MTC (Maryland), he oversaw major audience growth, quadrupled fundraising, commissioned more than 50 new works, earned national media attention, merged with a theater academy to strengthen education pipelines, and pioneered sensory-friendly/autism-inclusive performances that became a national model.
Bobbitt’s work as a playwright, director, and choreographer includes adaptations and premieres such as Bob Marley’s Three Little Birds, The Stephen Schwartz Project, The Yellow Rose of Texas, The Bingo Long Traveling All-Stars and Motor Kings, Caps for Sale, Garfield: The Musical with Cattitude, Jumanji, Make Way for Ducklings, Big the Musical (TYA), and Monster Mash, the Musical. His work has garnered multiple Helen Hayes nominations, including one for the Charles MacArthur Award for Outstanding New Play or Musical. Directing and choreography credits span the National Philharmonic, Washington National Opera (with Washington Performing Arts), Ford’s Theatre, Shakespeare Theatre Company, Studio Theatre, the Kennedy Center, La Jolla Playhouse, Singapore Repertory Theatre, Center Stage, and others.
A trumpet and voice major in college, Bobbitt later studied theater at CAP21 (NYU Tisch) and the American Musical and Dramatic Academy and dance at The Washington Ballet. He holds an M.B.A. in arts innovation and a B.A. summa cum laude in interdisciplinary studies, with executive education at Harvard Kennedy School, Harvard Business School, and National Arts Strategies’ Chief Executive Program. He has taught at Boston Conservatory at Berklee, The Catholic University of America, Howard University, George Washington University, and other institutions.
Questions? Contact Membership@operaamerica.org or 646.699.5266.
Looking for more opera in your life? Check out the National Opera Calendar to find out what's on stage near you.
OPERA America's Webinars are supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Programming at the National Opera Center is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.