Modern Voices
World premieres and revivals of recent works invigorated the 2017 opera scene
by Matt Marks and Paul Peers
Tomás Cruz and Tina Mitchell in PROTOTYPE’s Mata Hari, by Matt Marks and Paul Peers (photo: Paula Court)
by Laura Kaminsky, Mark Campbell and Kimberly Reed
Kelly Markgraf and Blythe Gaissert in As One, by Laura Kaminsky, Mark Campbell and Kimberly Reed, at Opera Colorado (Matthew Staver)
by David Lang
David Lang’s The Difficulty of Crossing a Field at Portland Opera (photo: Cory Weaver)
by Joby Talbot and Gene Scheer
Joby Talbot and Gene Scheer’s Everest at The Dallas Opera, with Michael Mayes and Andrew Bidlack (photo: Karen Almond)
by Philip Glass and Rudy Wurlitzer
Philip Glass and Rudy Wurlitzer’s The Perfect American at Chicago Opera Theater (photo: Liz Lauren)
by Ricky Ian Gordon and Michael Korie
Tobias Greenhalgh and Katharine Goeldner in Ricky Ian Gordon and Michael Korie’s The Grapes of Wrath at Opera Theatre of Saint Louis (photo: Ken Howard)
by Jorge Martín and Dolores M. Koch
Javier Abreu and Elliot Madore in Before Night Falls, by Jorge Martín and Dolores M. Koch, at Florida Grand Opera (photo: Chris Kakol)
by Missy Mazzoli and Royce Vavrek
Abigail Fischer in Missy Mazzoli and Royce Vavrek’s Song from the Uproar at Cincinnati Opera (photo: Philip Groshong)
by Daniel Sonenberg and Daniel Nester
Alfred Walker in The Summer King, by Daniel Sonenberg and Daniel Nester, at Pittsburgh Opera (photo: David Bachman Photography)
by Jean Piché and Yan Muckle
Stéphanie Lessard in Yo soy la desintegración, by Jean Piché and Yan Muckle, at Chants Libres (Yves Dubé)
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